{"id":8642,"date":"2017-04-26T04:31:14","date_gmt":"2017-04-26T09:31:14","guid":{"rendered":"https:\/\/www.ragtagcinema.org\/blog\/?p=8642"},"modified":"2017-04-26T04:31:14","modified_gmt":"2017-04-26T09:31:14","slug":"risk-opens-may-5","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/risk-opens-may-5\/","title":{"rendered":"Risk opens May 5"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignleft size-full wp-image-8643\" src=\"https:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2017\/04\/risk.jpeg\" alt=\"risk\" width=\"700\" srcset=\"https:\/\/ragtagcinema.org\/wp-content\/uploads\/2017\/04\/risk.jpeg 670w, https:\/\/ragtagcinema.org\/wp-content\/uploads\/2017\/04\/risk-300x169.jpeg 300w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/>You might remember Laura Poitras as the artist\/journalist who broke the Edward Snowden-NSA story, first in a series of Pulitzer Prize-winning articles and then in an Oscar-winning film called <em>Citizenfour.<\/em> When Snowden contacted Poitras about blowing the whistle, she was already several years into another top secret documentary: a film intimately following Julian Assange, Sarah Harrison and the rest of the scrappy team at WikiLeaks. Shot over six years, Risk is startlingly up-close and bracingly candid as it studies Assange, his colleagues and Poitras\u2019 shifting relationship with the controversial organization.<\/p>\n<p>Watch the <a href=\"https:\/\/youtu.be\/Zx6l4gPVeNE\" target=\"_blank\" rel=\"noopener\">trailer<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You might remember Laura Poitras as the artist\/journalist who broke the Edward Snowden-NSA story, first in a series of Pulitzer Prize-winning articles and then in an Oscar-winning film called Citizenfour. When Snowden contacted Poitras about blowing the whistle, she was already several years into another top secret documentary: a film intimately following Julian Assange, Sarah [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":8644,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-8642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news3"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/8642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=8642"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/8642\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/8644"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=8642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=8642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=8642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}