{"id":8600,"date":"2017-04-12T12:49:57","date_gmt":"2017-04-12T17:49:57","guid":{"rendered":"https:\/\/www.ragtagcinema.org\/blog\/?p=8600"},"modified":"2017-04-12T12:49:57","modified_gmt":"2017-04-12T17:49:57","slug":"personal-shopper-the-salesman-open-friday-april-14","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/personal-shopper-the-salesman-open-friday-april-14\/","title":{"rendered":"Personal Shopper, The Salesman open Friday, April 14"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-8601\" src=\"https:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2017\/04\/personal-shopper-uk-poster-700x525.jpeg\" alt=\"personal-shopper-uk-poster\" width=\"700\" height=\"525\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-large wp-image-8602\" src=\"https:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2017\/04\/the-salesman-poster-1-700x525.jpeg\" alt=\"the-salesman-poster-1\" width=\"700\" height=\"525\" \/>Kristen Stewart and Olivier Assayas (CLOUDS OF SILS MARIA) are back together again in PERSONAL SHOPPER, a haunting, unclassifiable film that some have called a brazenly unconventional ghost story.<\/p>\n<p>A SEPARATION director Asghar Farhadi returns to our screens with <i>The Salesman <\/i>for which he received his second Oscar win for Best Foreign Language Film. Set in Tehran, the film explores the lives of Rana and Emad (Taraneh Alidoosti and Shahab Hosseini), a married couple co-starring in a Farsi production of <i>Death of a Salesman.<\/i> After they move into a new apartment, a sudden act of violence turns their lives upside down.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kristen Stewart and Olivier Assayas (CLOUDS OF SILS MARIA) are back together again in PERSONAL SHOPPER, a haunting, unclassifiable film that some have called a brazenly unconventional ghost story. A SEPARATION director Asghar Farhadi returns to our screens with The Salesman for which he received his second Oscar win for Best Foreign Language Film. Set [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":8603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[53],"tags":[],"class_list":["post-8600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news1"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/8600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=8600"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/8600\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/8603"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=8600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=8600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=8600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}