{"id":7304,"date":"2015-11-04T11:31:28","date_gmt":"2015-11-04T17:31:28","guid":{"rendered":"http:\/\/www.ragtagcinema.org\/blog\/?p=7304"},"modified":"2015-11-04T11:31:28","modified_gmt":"2015-11-04T17:31:28","slug":"notes-from-the-attic-italian-horror","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/notes-from-the-attic-italian-horror\/","title":{"rendered":"Notes from the attic: Italian horror"},"content":{"rendered":"<p>We've been wading in Italian gore the last month in movie club. Here's what we watched:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0073582\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener\">Deep Red<\/a> (1975)<br \/>\nA jazz musician witnesses a murder in his apartment building and sets out to find the slasher with the help of a pushy journalist who \"isn't seeing anyone at this time.\" This movie is insane, and it's not just the elementary-school murder-art that comes up throughout the film. Part of the English dubbing was either lost or never recorded (who knows!), so instead of just releasing a subtitled version, you'll get scenes -- or lines of dialog -- that snap between English and Italian. I guess it ramps up the weirdness factor. Like a lot of Argento films we've been watching, the shocking payoff at the end is what the film's about. Most of Deep Red doesn't make any sense and seems a vehicle for cool decaying architecture and the Goblin soundtrack (which is sadly underutilized). The end is great, though, if you're thirsty for blood.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7373\" src=\"http:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2015\/11\/dRed.jpg\" alt=\"dRed\" width=\"610\" height=\"258\" srcset=\"https:\/\/ragtagcinema.org\/wp-content\/uploads\/2015\/11\/dRed.jpg 610w, https:\/\/ragtagcinema.org\/wp-content\/uploads\/2015\/11\/dRed-300x127.jpg 300w\" sizes=\"auto, (max-width: 610px) 100vw, 610px\" \/><\/p>\n<p>\"Creepy.\"<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0082307\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener\">The Beyond<\/a> (1981)<br \/>\nFrom the king of eye-gouging Lucio Fulci. A woman inherits a decrepit hotel in Louisiana with B&amp;B dreams. Little does she know it's built on a hellmouth! Short and sweet, this nihilistic zombie flick has enough gooey nasty gore for everyone.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7374\" src=\"http:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2015\/11\/Beyond-700x298.jpg\" alt=\"Beyond\" width=\"700\" height=\"298\" \/><\/p>\n<p>\"I keep shooting them in the guts but nothing happens.\"<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0082966\/?ref_=nm_flmg_dr_18\" target=\"_blank\" rel=\"noopener\">The House by the Cemetery<\/a> (1981)<br \/>\nFulci was a busy guy this year. A researcher moves to Smalltown, New England, to finish the work of a college who murdered his lover and killed himself. He and his family aren't too keen to learn they're living in a haunted house. Though, the son seems get along fine with the neighborhood ghost. Just, don't go down into the basement!<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7375\" src=\"http:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2015\/11\/HouseCem-700x298.jpg\" alt=\"HouseCem\" width=\"700\" height=\"298\" \/><\/p>\n<p>What did we tell you about the basement!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We've been wading in Italian gore the last month in movie club. Here's what we watched: Deep Red (1975) A jazz musician witnesses a murder in his apartment building and sets out to find the slasher with the help of a pushy journalist who \"isn't seeing anyone at this time.\" This movie is insane, and [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":7375,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-7304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/7304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=7304"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/7304\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/7375"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=7304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=7304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=7304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}