{"id":593,"date":"2009-09-30T13:15:03","date_gmt":"2009-09-30T19:15:03","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=593"},"modified":"2009-09-30T13:15:03","modified_gmt":"2009-09-30T19:15:03","slug":"infinite-orbiting","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/infinite-orbiting\/","title":{"rendered":"Infinite Orbiting"},"content":{"rendered":"

\"\"<\/p>\n

\"Hong Sang-soo<\/a> is the kind of director who is in danger of being neglected on a film-by-film basis, because none of his films is so different from the others as to constitute an event. I think that Night and Day<\/strong> is Hong\u2019s best film, and I\u2019m worried that no one is going to notice. There\u2019s been a quiet style shift in Hong\u2019s recent career, and I think the new forms are coming together into something special.\" (Dan Sallitt<\/a>, Thanks for the Use of the Hall<\/em>)<\/p>\n

Night and Day<\/strong><\/em> shows Wednesday, Sept. 30 and Thursday, Oct. 1 at 7:00pm. Introductions and post-screening discussions with Matt McGee, Hong Sang-soo enthusiast and cinephile.<\/p>\n","protected":false},"excerpt":{"rendered":"

\"Hong Sang-soo is the kind of director who is in danger of being neglected on a film-by-film basis, because none of his films is so different from the others as to constitute an event. I think that Night and Day is Hong\u2019s best film, and I\u2019m worried that no one is going to notice. There\u2019s […]<\/p>\n","protected":false},"author":3,"featured_media":5847,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-593","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=593"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/593\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/5847"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=593"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=593"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}