{"id":583,"date":"2009-09-23T11:15:20","date_gmt":"2009-09-23T17:15:20","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=583"},"modified":"2009-09-23T11:15:20","modified_gmt":"2009-09-23T17:15:20","slug":"back-to-nature","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/back-to-nature\/","title":{"rendered":"Back to Nature"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/cinematropolis.files.wordpress.com\/2009\/06\/105820-revanche-01.jpg\" alt=\"\" width=\"441\" height=\"287\" \/><\/p>\n<p>\"I hereby nominate G\u00f6tz Spielmann as the most interesting filmmaker to whom nobody's paying any attention whatsoever. In execution, <em><a href=\"http:\/\/www.janusfilms.com\/revanche\/\" target=\"_blank\" rel=\"noopener\">Revanche<\/a> <\/em>is a thing of sheer beauty, the kind of film in which the details of each individual scene -- composition, rhythm, performances, stray bits of business -- are all so perfectly judged that their cumulative force kind of sneaks up on you. <em>Revanche <\/em>is extremely well-constructed...and if that doesn't sound like a compliment to you, then this might not be your kind of movie. Which would be a shame.\" (Mike D'Angelo, <em><a href=\"http:\/\/www.panix.com\/~dangelo\/\" target=\"_blank\" rel=\"noopener\">The Man Who Viewed Too Much<\/a><\/em>)<\/p>\n<p><strong><em>Revanche<\/em><\/strong> plays <strong>Tuesday and Wednesday, Sept. 23-24 at 7:00pm<\/strong>. Post-screening discussion with Brad Prager, Professor of German and Film Studies and author of <em><a href=\"http:\/\/www.amazon.com\/Cinema-Werner-Herzog-Aesthetic-Directors\/dp\/1905674171\" target=\"_blank\" rel=\"noopener\">The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth<\/a><\/em>.<\/p>\n<p>Click <a href=\"http:\/\/www.theauteurs.com\/notebook\/posts\/678\" target=\"_blank\" rel=\"noopener\">here<\/a> to watch an informative interview with <em>Revanche<\/em> writer\/director G\u00f6tz Spielmann at The Auteurs Notebook.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\"I hereby nominate G\u00f6tz Spielmann as the most interesting filmmaker to whom nobody's paying any attention whatsoever. In execution, Revanche is a thing of sheer beauty, the kind of film in which the details of each individual scene -- composition, rhythm, performances, stray bits of business -- are all so perfectly judged that their cumulative [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5845,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/583","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=583"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/583\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/5845"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=583"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=583"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=583"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}