{"id":541,"date":"2009-09-08T13:01:19","date_gmt":"2009-09-08T19:01:19","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=541"},"modified":"2009-09-08T13:01:19","modified_gmt":"2009-09-08T19:01:19","slug":"world-of-wonder","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/world-of-wonder\/","title":{"rendered":"World of Wonder"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/latimesblogs.latimes.com\/entertainmentnewsbuzz\/images\/2008\/05\/25\/tulpan_wins.jpg\" alt=\"\" width=\"400\" height=\"299\" \/><\/p>\n<p>\"The only way to make a movie like this is if you love the place.\" - Sergei Dvortsevoy, director of <em>Tulpan<\/em><\/p>\n<p>Distinguished by its warm and humorous treatment of its characters and its string of spectacular long-takes that capture the unruly weather conditions of Kazakhstan's <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kazakh_Steppe\" target=\"_blank\" rel=\"noopener\">Hunger Steppe<\/a>, <em><strong>Tulpan<\/strong><\/em> transcends its folktale conventions and becomes an energetic and revelatory immersion into the daily life of nomadic Kazakh sheep herders.\u00a0 Don't miss this remarkable film on <strong>Wednesday and Thursday, September 9-10 at 7:00pm<\/strong>, with post-film discussions by Peter Gardner, Professor Emeritus of Anthropology at MU (and, as usual, beverages beforehand).<\/p>\n<p>\"<em>Tulpan<\/em> has just about everything anyone could want in a movie,\" writes <a href=\"http:\/\/www.artforum.com\/inprint\/id=22299\" target=\"_blank\" rel=\"noopener\">Amy Taubin<\/a> in <em>Artforum<\/em>: \"wild swings of mood and weather, generational and cultural clashes, epic vistas of land and sky, fragile connections among humans and animals, the struggle for survival in a harsh environment, and the yearning of a young man for autonomy and a piece of the land of his birth. In a film packed with emotion, there is not a trace of sentimentality, perhaps because Dvortsevoy is a superb dialectician with a sense of humor that is both absurdist and tender.\"<\/p>\n<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"560\" height=\"340\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/naT9O8X13Ko&amp;hl=en&amp;fs=1&amp;\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"340\" src=\"http:\/\/www.youtube.com\/v\/naT9O8X13Ko&amp;hl=en&amp;fs=1&amp;\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\"The only way to make a movie like this is if you love the place.\" - Sergei Dvortsevoy, director of Tulpan Distinguished by its warm and humorous treatment of its characters and its string of spectacular long-takes that capture the unruly weather conditions of Kazakhstan's Hunger Steppe, Tulpan transcends its folktale conventions and becomes an [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15,50],"tags":[],"class_list":["post-541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=541"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/5839"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}