{"id":519,"date":"2009-09-01T19:29:51","date_gmt":"2009-09-02T01:29:51","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=519"},"modified":"2009-09-01T19:29:51","modified_gmt":"2009-09-02T01:29:51","slug":"mystical-melodies","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/mystical-melodies\/","title":{"rendered":"Mystical Melodies"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/eyeonfilm.files.wordpress.com\/2009\/01\/tokyo.jpg\" alt=\"\" width=\"420\" height=\"259\" \/><\/p>\n<p>The Passport Series continues this <strong><span style=\"text-decoration: line-through;\">Tuesday and<\/span> Wednesday and Thursday at 7:00pm<\/strong> with <strong><em>Tokyo Sonata<\/em><\/strong>, the funny, menacing, and altogether difficult-to-classify family melodrama by philosophical J-horror visionary <a href=\"http:\/\/www.nytimes.com\/2009\/03\/08\/movies\/08raff.html?_r=1&amp;ref=arts\" target=\"_blank\" rel=\"noopener\">Kiyoshi Kurosawa<\/a> (<em>Cure<\/em>, <em>Bright Future<\/em>, the original <em>Pulse<\/em>). Enjoy a taste of sparkling sake before the film and stay after for a discussion with cineaste Jai Amrod about the film and its director's masterful, provocative oeuvre.<\/p>\n<p>\u201c<em>Tokyo Sonata<\/em> speaks to us, with feeling and passion, as one of the most eloquent statements on the world today that we are likely to see in this moviegoing year.\u201d (Andrew Sarris, <em>New York Observer<\/em>)<\/p>\n<p>\"It may seem incongruous for a filmmaker best known for his horror efforts to give us a drama as humane - and funny - as <em>Tokyo Sonata<\/em>; then again, horror and humor are both exercises in tension, and Kurosawa demonstrates his understanding of that with true skill here.\" (James Rocchi, <em>Cinematical<\/em>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Passport Series continues this Tuesday and Wednesday and Thursday at 7:00pm with Tokyo Sonata, the funny, menacing, and altogether difficult-to-classify family melodrama by philosophical J-horror visionary Kiyoshi Kurosawa (Cure, Bright Future, the original Pulse). Enjoy a taste of sparkling sake before the film and stay after for a discussion with cineaste Jai Amrod about [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5838,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56,15,50],"tags":[],"class_list":["post-519","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-films","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/519","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=519"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/519\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/5838"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=519"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=519"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=519"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}