{"id":4129,"date":"2013-07-15T16:38:44","date_gmt":"2013-07-15T21:38:44","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=4129"},"modified":"2013-07-15T16:38:44","modified_gmt":"2013-07-15T21:38:44","slug":"notes-from-the-attic-design-for-living","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/notes-from-the-attic-design-for-living\/","title":{"rendered":"Notes from the attic: Design for Living"},"content":{"rendered":"<p>Miriam Hopkins becomes mother, muse and lover to a pair of American artists in Paris (Gary Cooper and Fredric March) in this surprisingly modern <a title=\"IMDb!\" href=\"http:\/\/www.imdb.com\/title\/tt0023940\/\" target=\"_blank\" rel=\"noopener\">1933 Pre-Code comedy<\/a> from Ernst Lubitsch. Recommended.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-4130\" alt=\"design-for-living_1933\" src=\"http:\/\/www.ragtagcinema.org\/blog\/wp-content\/uploads\/2013\/07\/design-for-living_1933-700x555.jpg\" width=\"700\" height=\"555\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miriam Hopkins becomes mother, muse and lover to a pair of American artists in Paris (Gary Cooper and Fredric March) in this surprisingly modern 1933 Pre-Code comedy from Ernst Lubitsch. Recommended.<\/p>\n","protected":false},"author":3,"featured_media":4130,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-4129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/4129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=4129"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/4129\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/4130"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=4129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=4129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=4129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}