{"id":3891,"date":"2013-04-28T11:26:47","date_gmt":"2013-04-28T16:26:47","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=3891"},"modified":"2013-04-28T11:26:47","modified_gmt":"2013-04-28T16:26:47","slug":"wide-angle-series-starts-this-wednesday-with-hal-ashbys-the-landlord","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/wide-angle-series-starts-this-wednesday-with-hal-ashbys-the-landlord\/","title":{"rendered":"Wide Angle series starts this Wednesday with Hal Ashby's The Landlord"},"content":{"rendered":"<p>Ragtag Cinema has a new series called Wide Angle on the first four Wednesdays in May at 6:30. All great films you haven't seen from the 70s with the aim of looking at gentrification and race relations and how far or not far we have come with a lively discussion after. The first one looks hilarious: The Landlord, directed by Hal Ashby (Harold and Maude), starring a very young Beau Bridges. The series is curated by Chris Boeckmann (Ragtag's Homebrewed, Neither\/Nor, Passport Series), so you know it's going to be good.<\/p>\n<p>Film writer <a href=\"http:\/\/www.slantmagazine.com\/house\/2007\/09\/the-landlord-whose-dream-is-it-anyway\/\" target=\"_blank\" rel=\"noopener\">Steven Boone discusses Hal Ashby's overlooked comedy THE LANDLORD<\/a>, screening at 6:30PM this Wednesday as a part of our Wide Angle series. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ragtag Cinema has a new series called Wide Angle on the first four Wednesdays in May at 6:30. All great films you haven't seen from the 70s with the aim of looking at gentrification and race relations and how far or not far we have come with a lively discussion after. The first one looks [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50],"tags":[],"class_list":["post-3891","post","type-post","status-publish","format-standard","hentry","category-news"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/3891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=3891"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/3891\/revisions"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=3891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=3891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=3891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}