Moving roughly 997 years from Camelot, on Friday night we look to 1929\u2019s\u00a0Man with a Movie Camera<\/a>. The silent-era Soviet experimental documentary set on the streets of Moscow, Kyiv, and Odesa is an infinitely inventive and essential piece of cinema history. Exhilarated by a new score performed live by Montopolis, Dziga Vertov\u2019s film becomes a celebration of the human spirit in Ukraine almost a century on.<\/p>\n\n\n\n We fire up our 35mm projectors once more on Tuesday evening as\u00a0Science on Screen\u00ae<\/a>\u00a0<\/em>returns with Richard Linklater\u2019s rotoscope-animated take on Philip K Dick\u2019s\u00a0A Scanner Darkly<\/a>. A shifting, collapsing, and hallucinatory postmodern noir, Dick\u2019s (semi-autobiographical) novel\u2014set within the split hemispheres of a drugged-out narcotics officer\u2019s brain\u2014was once considered\u00a0un-adaptable<\/em>\u00a0for the screen. Preceding the film, MU Psychiatry Professor and Cognitive Neuroscience Systems Core Director, Dr. Brett Froeliger, discusses the brain, stimulation, and addiction.\u00a0<\/p>\n\n\n\n Between all of that,\u00a0Everything Everywhere All At Once<\/a>\u00a0<\/em>continues, running alongside shows of\u00a0CODA<\/a>.<\/p>\n\n\n\n![\"\"](\"https:\/\/ragtagcinema.org\/blog\/wp-content\/uploads\/2022\/04\/unnamed-1.jpg\")
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