{"id":1019,"date":"2011-02-24T11:04:13","date_gmt":"2011-02-24T17:04:13","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=1019"},"modified":"2011-02-24T11:04:13","modified_gmt":"2011-02-24T17:04:13","slug":"sophia-coppolas-somewhere-and-john-cameron-mitchells-rabbit-hole-open-311","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/sophia-coppolas-somewhere-and-john-cameron-mitchells-rabbit-hole-open-311\/","title":{"rendered":"Sophia Coppola's \"Somewhere\" and John Cameron Mitchell's \"Rabbit Hole\" open 3\/11"},"content":{"rendered":"<p>We're excited to bring two eagerly anticipated films right after T\/F. They are by filmmakers whose early films were among the most popular to play at Ragtag in our early years: Coppola directed \"Lost in Translation\" and \"Virgin Suicides\" while Mitchell directed \"Hedwig and the Angry Inch.\" \"Rabbit Hole\" features one of the best scripts and acting ensembles in recent memory -- this is one of the most powerful films of the year. And \"Somewhere\" features Coppola's incomparable mood-setting. Both are real keepers. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>We're excited to bring two eagerly anticipated films right after T\/F. They are by filmmakers whose early films were among the most popular to play at Ragtag in our early years: Coppola directed \"Lost in Translation\" and \"Virgin Suicides\" while Mitchell directed \"Hedwig and the Angry Inch.\" \"Rabbit Hole\" features one of the best scripts [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[50,53],"tags":[],"class_list":["post-1019","post","type-post","status-publish","format-standard","hentry","category-news","category-news1"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/1019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=1019"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/1019\/revisions"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=1019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=1019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=1019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}