{"id":10133,"date":"2009-05-08T13:09:43","date_gmt":"2009-05-08T19:09:43","guid":{"rendered":"http:\/\/www.ragtagfilm.com\/blog\/?p=355"},"modified":"2009-05-08T13:09:43","modified_gmt":"2009-05-08T19:09:43","slug":"jet-sets","status":"publish","type":"post","link":"https:\/\/ragtagcinema.org\/jet-sets\/","title":{"rendered":"Jet sets"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"Tokyo!\" src=\"http:\/\/graphics8.nytimes.com\/images\/2009\/03\/01\/arts\/01lim_600.jpg\" alt=\"\" width=\"384\" height=\"213\" \/><\/p>\n<p>We're nearly halfway through the year, and so far 2009 hasn't offered much in the way of well-crafted movie pleasure. Thank goodness, then, for <em>Duplicity<\/em>, the new film by <em>Michael Clayton<\/em> writer\/director <a href=\"http:\/\/www.newyorker.com\/reporting\/2009\/03\/16\/090316fa_fact_max\" target=\"_blank\" rel=\"noopener\">Tony Gilroy<\/a>. Essentially an airtight yarn of spy-vs.-spy game-playing, it's the smartest, sexiest movie to be released this year, and features some of the wittiest dialogue in recent memory. To say that it's \"well-written\" may seem like faint praise, but nowadays movies blessed with such a virtue are practically anomalous. Ragtag's pull-quote for the DVD release: \"It's the most fun we've had at the movies all year!\"<\/p>\n<p>Also opening today is <em>Tokyo!<\/em>, a new triptych of mini city symphonies from three of the most unusual and talented directors on the international movie scene, modern-day surrealist Michel Gondry, horror-master Bong-joon Ho, and French obscurity <a href=\"http:\/\/www.indiewire.com\/article\/leos_carax_on_tokyo_cinema_is_my_country_but_it_is_not_my_business\/\" target=\"_blank\" rel=\"noopener\">Leos Carax<\/a>. Carax's short stars <a href=\"http:\/\/www.youtube.com\/watch?v=hPuUs9Amq68\" target=\"_blank\" rel=\"noopener\">Denis Lavant<\/a> doing <a href=\"http:\/\/www.youtube.com\/watch?v=Q7Yag9t_HkY\" target=\"_blank\" rel=\"noopener\">what he does best<\/a>. Watch the <a href=\"http:\/\/www.tokyothemovie.com\/\" target=\"_blank\" rel=\"noopener\">trailer<\/a> for a taste.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We're nearly halfway through the year, and so far 2009 hasn't offered much in the way of well-crafted movie pleasure. Thank goodness, then, for Duplicity, the new film by Michael Clayton writer\/director Tony Gilroy. Essentially an airtight yarn of spy-vs.-spy game-playing, it's the smartest, sexiest movie to be released this year, and features some of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":5829,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-10133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"acf":[],"_links":{"self":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/10133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/comments?post=10133"}],"version-history":[{"count":0,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/posts\/10133\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media\/5829"}],"wp:attachment":[{"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/media?parent=10133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/categories?post=10133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ragtagcinema.org\/wp-json\/wp\/v2\/tags?post=10133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}